Publications /
Policy Paper

Back
Cultural Flows: The Development and Global Influence of Nigeria’s Creative Industries
Authors
Zineb Faidi
June 27, 2024

Nigeria’s cultural and creative industries (CCIs) illustrate the dynamic interplay between cultural production and economic growth. Through Nollywood and Afrobeat, Nigeria has effectively leveraged its creative capital to strengthen its economy and broaden its global cultural influence. These sectors show how local cultural elements can be blended with universal themes, achieving widespread resonance. Beyond their economic contributions, these industries play crucial roles in cultural diplomacy and nation branding, significantly enhancing Nigeria’s soft power globally. This paper contextualizes CCIs within their historical and economic frameworks, and addresses key debates in the field, such as the tension between the economic commodification of culture and the pursuit of authenticity. It also challenges the traditional view of ‘cultural imperialism’, which suggests a one-way flow of culture and aesthetics from the North to the South. The opening sections delve into the origins of Nollywood and the growth of Nigeria’s music scene, illustrating how crises can spur a surge of creativity and a do-it-yourself mindset crucial for success in these sectors. The impact of digitalization and networking on content circulation and collaboration is also explored, highlighting how these sectors now generate significant revenue and create jobs, despite facing challenges including copyright issues, funding gaps, and infrastructural deficiencies. The second part of the paper examines how Nigerian cultural exports are perceived and received in other African nations, including the DRC, Tanzania, and Cameroon, through the lens of soft power and cultural diplomacy. It highlights how Africans adapt other African products to their national contexts, and the different combinations that derive from these exchanges. The paper then discusses how Afrobeat has achieved global prominence, turning Nigerian artists into icons of the ‘African dream’. This approach breaks away from the cultural imperialism theory, redefining soft power within an African framework.

RELATED CONTENT

  • Authors
    Moha Souag
    December 1, 2023
    Rares sont les sociétés africaines qui ont gardé, enseigné et transmis une écriture aux générations futures. Jusqu’à nos jours, seules deux graphies ont survécu à l’oubli, la négligence et aux tourmentes de l’histoire : l’écriture amharique en Éthiopie et le tifinagh chez les Touaregs. La traite esclavagiste et les colonisations ont bloqué, d’une manière brutale, l’évolution naturelle de la culture et de la civilisation africaines. Le manque de traces scripturales de ...
  • November 21, 2023
    اكتسبت حملة الستة عشر يوماً العالمية لمناهضة العنف القائم على النوع الاجتماعي والتي أطلقها مركز القيادة العالمية للمرأة في معهده العالمي الأول للقيادة النسائية في عام 1991 قوة جذب في أكثر من 187 دولة بمشاركة أكثر من 6،000 منظمة. إذ أن العنف القائم على النوع الاجتماعي من المشاكل الواسعة ...
  • Authors
    Driss Khrouz
    November 14, 2023
    Le Maroc est la partie la plus septentrionale et occidentale de l’Afrique, part essentielle du sud de la Méditerranée. Prolongement du continent vers la Méditerranée, le Proche et le Moyen-Orient, il est aussi le passage terrestre dominant vers cette Afrique, dont le Sahara, loin de constituer une délimitation, est en fait un ensemble de routes et de flux de mobilités durables. Depuis les temps les plus reculés, au moins depuis les Phéniciens, les Carthaginois, les Vandales ...
  • Authors
    Farid Zahi
    November 9, 2023
    Empruntant ses chemins propres, l’art africain contemporain se libère progressivement de tous les préjugés qui l’ont gangréné durant sa courte existence. De la décolonisation à la décolonialité1, le temps est de se montrer au monde, de s’offrir à l’autre et de se permettre une esthétique propre et une place dans le monde de la globalité. Au point qu’on peut parler actuellement d’un mouvement artistique dont les contours ne cessent de se dessiner, au-delà des handicaps e ...
  • Authors
    Touhami Abdelkhalek
    Dorothee Boccanfuso
    November 8, 2023
    Public policies, particularly those related to taxes and subsidies, should help to reduce poverty and inequality. However, the combination of components of these two systems, as implemented, leads sometimes to an increase in poverty and or inequality without being necessarily anticipated. In this policy brief, based on data from the 2019 wave of the Enquête Panel de Ménage from the Observatoire National du Développement Human from Morocco, we first highlight the influence of taxes ...
  • Authors
    October 31, 2023
    An unprecedented year Each figure hides a life, a dream destroyed, a future to live. Shadowed by each number are families in agony, flows of tears and unanswered questions. On September 8 the clock had shown 23:11 Marrakesh time, and then Morocco cried, united in mourning, remembering 3,000 noble brothers and sisters, who turned into dark figures, victims of a horrendous earthquake which affected 6.6 million people. A national heartbeat later, war-torn Libya joined the pain, more ...
  • Authors
    Driss Ksikes
    October 30, 2023
    Interroger le lien entre le Maroc et son continent d’appartenance, l’Afrique, à partir de l’entrée des Industries culturelles et créatives (ICC), nous met d’emblée devant la nécessité d’interroger autant les concepts que les contextes d’où elles sont énoncées. Il nous oblige, par souci de rigueur et de justesse, de souligner les paradoxes qui les sous-tendent. Car par-delà l’appartenance géographique, des (dis)continuités historiques et culturelles, l’africanité du Maro ...